Thursday, 29 March 2012

TECHNOLOGY AND WHAT IT MEANS TO ME

I believe that technology has its place in our centres, but also sometimes we can use too much of it.  I feel that tamariki need to have exposure to the outdoors rather than sitting in front of computers, smart boards and Ipads.  Children learn from a variety of experiences (Ministry of Education, 1996) and I believe that they need to have access to natural resources.  In saying that I also think that technology can also enhance a child’s learning, for example digital cameras which can document what a child has achieved and promotes recalling (MacNaughton & Williams, 2009).  I feel we need to get a happy balance between the two, as I see even in the development of my own cousins, how technology is ruling their lives and how they struggle doing things with their brains if the technology is not working.  For example we used to add with our minds and now it seems if a calculator is not available or a till at the supermarket is not working, we cannot do it.  It is the same with computers, gone are the days where you learn how to type on a typewriter, yet if a letter needs to be produced and a computer is not working, most people would struggle using a typewriter instead.
I feel tamariki have a high exposure to technologies of various designs and in particular digital.  This is important because it is keeping up with the changes in their world (Ministry of Education, 1996), but I think they need to develop social skills first, as knowing how to use a computer will not help a child when they are having a dispute in a school yard. 
Since volunteering at my centre for the entire time of my degree I have come to value my centre’s outdoor philosophy.  I believe that children are not getting enough risk in their lives to challenge them both physically and mentally (Gill, 2007).  There is an unbelievable amount of tamariki that do not have any desire to go into nature because they have no attachment to it (Louv, 2011).  I feel that we need more centres like Claire Warden has created in Scotland, which encourage tamariki to use nature as their resources (Warden, 2010). 
I appreciate all my peer’s comments as they have been extremely beneficial to me.  As an update, we are improving our centre’s outdoor area and currently we are getting a garden area installed, which will have a special place where we can have open fires for cooking.  This will help us to extend the children’s learning of survival skills and will give them another place to cook in the outdoors, other than the beach. 
What I also learnt from doing this project is how to really think about what I am writing and how simple comments can be misconstrued.  I also learnt how to encourage extension of a child’s learning from looking deeper at different types of activities.  It reminded me of experiences I have had on practicums and things I have been advised upon.  I have never felt comfortable sharing my thoughts with anyone other than the lecturer marking my paper so it was a challenge for me to have my classmates read and comment on my experiences.  I also struggled with the teacher in me trying not to break free and wanting to correct the written English of my group.  To be critical yet positive is a skill which I feel will always be a challenge for me, as I overanalyse my own work and I demand high standards of myself.   

References
Gill, T. (2007). No fear growing up in a risk adverse society. United Kingdom: Calouste Gulbenkian Foundation.
Louv, R.(2011). Richard Louv blog Retrieved from http://richardlouv.com/
MacNaughton, G., & Williams, G. (2009). Techniques for teaching young children: Choices in theory and practice (3rd ed.). Frenchs Forest, New South Wales, Australia: Pearson/Education Australia. 
Ministry of Education. (1996). Te Whāriki, he whaariki mātauranga mo nga mokopuna o Aotearoa: Early childhood curriculum. Wellington, New Zealand: Learning Media.
Warden, C. (2010). Nature kindergartens. Perthshire, Scotland: Mindstretchers Limited.




Tuesday, 20 March 2012

WHAT IS A PAINTBRUSH?

My centre has had many experiences using the paintbrush.  We did on one occasion have teachers place a long roll of paper against our fence, where myself and another teacher secured it to the railing at a height suitable for all the children.  This was ensuring that all the children could participate and feel like their contribution was valued (Ministry of Education, 1996).  We also had large buckets filled with different colours of paint and a range of paintbrushes.  This was an interesting activity because no matter how much room the tamariki had they seemed to want to work in a tight cluster and use everyone else’s paintbrush.   I enjoyed watching the children mix new colours and talk as they worked.  It reminded me of my own childhood when I used to love help paint our fence while listening to ABBA and getting more paint on me than on the planks. 

Painting for me was always very therapeutic and I see no difference with the tamariki.  It is a great way to get out aggression, unhappiness or delight while also helping children who cannot communicate well to get their feelings across (Somerset, 2000).  It helps to develop a child emotionally and is a great release of tension (Somerset, 2000).  Teachers are able to use painting time to observe interactions between the children, or use the time to question them to help deepen the experience through recall (MacNaughton & Williams, 2009).

I also observed how the activity morphed into painting the railing on the side of the rock garden and how two girls in particular wanted more paint and water to rinse the colours.  I enjoyed watching the social play between the peers (Arthur, Beecher, Death, Dockett & Farmer, 2007) and how they held both the brush and a rather full bucket of paint up to their chest like some professionals do.  The children were developing skills in measuring, mixing, fine motor skills, balancing buckets and learning textures.  What I found most revealing was how well the tamariki worked as a team and were building relationships (Ministry of Education, 1996). 

Painting the fence.

The children have done traditional painting as well with smaller paintbrushes and have used dye instead of paint.  We have also experimented with paint droppers which look a little like eye droppers.  This gives the tamariki a variety of experiences with the similar materials but still giving them opportunities to be artistic.   Children love to be messy and enjoy using their hands so sometimes the technology of the paintbrush is surplus to requirements and the child’s experience becomes more enriched because they can feel the paint between their fingers.  We have already done this and have given the children rocks from the garden and asked them to paint their name on it with a picture they design, which helps to increase the child’s feeling of belonging (Ministry of Education, 1996).  To me the word paintbrush also includes things like fingers, sponges, stamps, droppers and even cotton buds.  We use so many different types of things to paint with that paintbrushes are not just the conventional style.  On our many excursions we have bought back to the centre things we could paint with which have included sticks, fallen leaves, shells and pinecones.  This helps to give the tamariki a sense of their natural environment and can recycle things which would otherwise not be used (Warden, 2010). 

I would like to try an activity where the children are left to paint on the easel but have music playing in the background.  I think this could change what the children design and encourage deep thinking (Brownlee, 2007).  I believe it would work best if I asked them what they would like to listen to and even suggest they bring in their own compact disc. 

References
Arthur, L., Beecher, B., Death, E., Dockett, S. & Farmer, S,. (2007).  Programming & planning in early childhood settings. (4th ed.).  New South Wales, Australia: Cengage Learning.

Brownlee, P. (2007). Magic places. Waitakere, Auckland: New Zealand Playcentre Federation.

MacNaughton, G., & Williams, G. (2009). Techniques for teaching young children: Choices in theory and practice.  New South Wales, Australia: Pearson Prentice Media.
Ministry of Education. (1996). Te Whāriki, he Whāriki mātauranga mo nga mokopuna o Aotearoa: Early childhood curriculum. Wellington, New Zealand: Learning Media.
Somerset, G. (2000). Work and play in the early years. Auckland, New Zealand: New Zealand Playcentre Federation.
Warden, C. (2010). Nature kindergartens. Perthshire, Scotland: Mindstretchers.

Picture Reference

Google Images. (2010).  Retrieved from http://www.google.co.nz/imgres?q=children+painting+fences+with+brushes&hl=en&sa=X&qscrl=1&nord=1&rlz=1T4ADFA_enNZ459NZ464&biw=1132&bih=589&tbm=isch&prmd=imvnsb&tbnid=ZHrOzglxSvroPM:&imgrefurl=http://clownandpoodle.com/%3Fp%3D2821&docid=WL1bUTlfYmpZ2M&imgurl=http://clownandpoodle.com/wp-content/uploads/2011/05/Painting-the-deck.jpg&w=690&h=528&ei=mSRoT6nYHu7qmAW6wrD6CA&zoom=1&iact=hc&vpx=757&vpy=217&dur=3946&hovh=196&hovw=257&tx=114&ty=115&sig=116767025731763282204&page=3&tbnh=129&tbnw=173&start=43&ndsp=24&ved=1t:429,r:4,s:43

Monday, 19 March 2012

Hyperlinks

Linda
http://lynz-lynzblog.blogspot.co.nz/2012/03/at-my-centre-we-are-veryfortunate-to.html?showComment=1331940493568
http://lynz-lynzblog.blogspot.co.nz/2012/03/spray-painting-with-my-friends.html?showComment=1332224410830
http://lynz-lynzblog.blogspot.co.nz/2012/03/rainbow-colour-chalk.html?showComment=1332444877403

Metua
http://metuaarias.blogspot.co.nz/2012/03/cook-island-dancing.html?showComment=1331941658577
http://metuaarias.blogspot.co.nz/2012/03/exploring-outdoor.html?showComment=1332223496075
http://metuaarias.blogspot.co.nz/2012/03/using-natural-resource-for-painting.html?showComment=1332645272684

Kalo
http://carolinetaukeiaho.blogspot.co.nz/2012/03/our-story-using-digital-camera.html?showComment=1331943200651
http://carolinetaukeiaho.blogspot.co.nz/2012/03/chocolate-flakes-cookies.html?showComment=1332220009569
http://carolinetaukeiaho.blogspot.co.nz/2012/03/explore-discover-and-learn.html#comment-form


Anah
http://anaiongi.blogspot.co.nz/2012/03/cooking-20022012.html?showComment=1331945767941
http://anaiongi.blogspot.co.nz/2012/03/computer-27022012.html?showComment=1331944677420
http://anaiongi.blogspot.co.nz/2012/03/digital-camera.html?showComment=1332646871040

Alex
http://alexkatene.blogspot.co.nz/2012/03/outdoor-activities.html?showComment=1332219120943
http://alexkatene.blogspot.co.nz/2012/03/outdoor-activities.html?showComment=1332222237441
http://alexkatene.blogspot.co.nz/2012/03/language-korero.html?showComment=1332799618202





Friday, 16 March 2012

COOKING IN THE OUTDOORS

At my centre we do excursions every week to our local beach in summer or the local bush in winter and we like to give our tamariki a range of experiences.  One such experience is cooking in the outdoors.  This was new to me, as I had only really ever done this as a child at my Primary School camp and I felt rather unsure as to how the tamariki would be around an open fire.  It turns out that they are far more capable and competent than even I realized (Ministry of Education, 1996).  My Associate Teacher explained the rules of safety while modeling how to behave around the fire (MacNaughton & Williams, 2009) and taught the children to respect the flames because they are unpredictable and should not be viewed as a toy.  This was ensuring the safety and well being of each child (Ministry of Education, 1996), while giving them the opportunity to show their own initiative.


Child bringing wood for the fire.

When we gathered the firewood we discussed what types of wood we would need, where the best place to build the fire was, what we should do to prevent tamariki getting too close and how to put it out responsibly once we had finished with it.  These discussions were extremely interesting as the children came up with a fantastic array of ideas of how to do these things.  We all decided on drawing a line in the sand and put some rocks around to stand behind.  It was determined once we had finished cooking we should move away from the fire to prevent us from becoming distracted.  Questioning is extremely important as it encourages conversation with tamariki and gives them the opportunities to problem solve for themselves (MacNaughton & Williams, 2009).

We used sticks to cook our bread on and have previously cooked marshmallows, fruit kebabs and sausages also on sticks, pancakes with the old skillets and have even tried boiling Milo on an old pot belly we had made from a tin can.  This gives the children survival skills and shows them a wide variety of different cooking utensils. 

Back at the centre we have also encouraged participation in preparing muffins for morning kai and have had children make the batter.  They learn how to measure, pour and get an understanding of what the raw materials become when mixed together.  For me, I have never really enjoyed cooking and never found anything fun in it, except for banging pots together, yet my centre has a way of engaging children in these activities and making you want to experience these things. 

I feel my centre embraces the outdoor environment to its fullest capacity.  We utilize the raw or natural materials around us and try to enhance the children’s sense of wonder.  I believe it is important to give tamariki opportunities to explore and take risks (Gill, 2007).  I agree with Brownlee (2007) who states “a rich experience is one that uses all of your senses; it is the real thing” (p.9).  Our outdoor cooking activity definitely uses all our senses with the smell of the food cooking, tasting the finished product, touching the food with our hands, hearing the sizzle and crackle of the food cooking and watching the metamorphosis take place. 

I think to further enhance this experience I would like to take some inspiration from Anah who has done some cultural cooking at her centre and perhaps try and do a mini hangi and get the children’s input as to what they would like to cook.  I also feel it would be a great opportunity to ask the tamariki to bring in recipes from their own culture that we could make with the rest of our whānau, thus engaging all of our centre’s customs. 
References
Brownlee, P. (2007). Magic places. Waitakere, Auckland: New Zealand Playcentre Federation.

Gill, T. (2007). No fear growing up in a risk averse society. United Kingdom: Calouste Gulbenkian Foundation.

MacNaughton, G., & Williams, G. (2009). Techniques for teaching young ch(ildren: Choices in theory and practice.  New South Wales, Australia: Pearson Prentice Media.

Ministry of Education. (1996). Te Whāriki, he Whāriki mātauranga mo nga mokopuna o Aotearoa: Early childhood curriculum. Wellington, New Zealand: Learning Media.

Monday, 12 March 2012

THE VALUE OF USING A DIGITAL PHOTOGRAPH FRAME


Children in my centre have access to a digital photo frame which displays photographs of their daily activities.  This is important as it shows both tamariki and whānau the different types of learning that is taking place.  It encourages recollection of what is happening in each individual picture and allows parents and teachers to question the child as to what they feel about the activity (MacNaughton & Williams, 2009).
Picture of a Digital Photograph Frame
The technology is not static so this helps to create more interaction between adults and tamariki.  It also means that teachers do not need to choose what they feel is the best photograph of the day and ensures that the well being and sense of belonging of all the children is met (Ministry of Education, 1996) because all photographs can be displayed as a slide show.    

This type of technology is useful as it is easy to change and usually only takes a short amount of time to update.  The frame does not need to be overly large and for a centre with little space like mine, it is great because it takes up a small area and actually creates more room for notices et cetera. 

Tamariki have opportunities to take their own pictures and have them displayed in the frame.  This can help “children contribute their own Learning Stories by including a drawing or photograph and telling an accompanying story” (Arthur, Beecher, Death, Dockett & Farmer, 2007, p.62).  This is important because children have an opportunity to self direct their learning.  Te Whāriki Early Childhood Curriculum also confirms this theory when it states that we want our children “to grow up as competent and confident learners and communicators” (Ministry of Education, 1996, p.9).

I have noticed a significant change in parents’ curiosity into what their child is doing at the centre since the digital photograph frame was introduced.  They are more eager to sign in and take notice of what their child is learning and it helps to generate ideas as to what tamariki might like to do or what they are interested in. 

The main pitfall when using this technology is that it is easy to forget to update pictures and in order for it to be useful it needs to be updated regularly at the end of each day.  It also needs to be on all day so that the children can view it when they want to and the parents can view it when they come into the centre.  If it can be updated immediately after an activity it even is better because teachers can engage tamariki in responsive and reciprocal conversations as to what they think of the picture and what is happening (Ministry of Education, 1996).  This not only keeps the experience fresh in the child’s mind but also helps teachers to decide how to extend the child’s learning and perhaps to improve their own practice as to what they could have done better. 

The photographs themselves are important because they “document children’s projects and experiences” (Arthur, Beecher, Death, Dockett & Farmer, 2007, p63).   They can also help tamariki to develop vocabulary and help shy children to express themselves.                     


Children observing their photographs on a digital picture frame.
                                                                 
Many families now have digital photograph frames at home, so children’s learning can be further enhanced if parents wish copies of photographs of their child they could bring in a USB stick and obtain a copy immediately.  This could help generate conversations at home and can show other family members what the child is achieving at their centre (Arthur, Beecher, Death, Dockett & Farmer, 2007).  Long gone are the days where we had to take our film in to be processed and wait for copies.  Now all we need is a USB or a printer and we can see our pictures immediately, which helps to enrich children’s learning at a much faster pace.    


References For Blog

Arthur, L., Beecher, B., Death, E., Dockett, S., & Farmer, S. (2007). Programming and planning in early childhood settings (4th ed.).  New South Wales, Australia: Cengage Learning.

MacNaughton, G., & Williams, G. (2009). Techniques for teaching young children: Choices in theory and practice.  New South Wales, Australia: Pearson Prentice Media.

Ministry of Education. (1996). Te Whāriki, he Whāriki mātauranga mo nga mokopuna o Aotearoa: Early childhood curriculum. Wellington, New Zealand: Learning Media.

References for Pictures











                                               

Monday, 5 March 2012

Morena

Hi Girls, I hope I can get my head around this.  It's driving me bananas already.  Get posting.  Rach